1. Αποθετήριο Παραδοτέων Υποτρόφων Δράσεων ΕΣΠΑ Τριτοβάθμιας Εκπαίδευσης 2017-2023
2. Όλο το Αποθετήριο
3. Μεταδιδακτορικοί ερευνητές

Τύπος:	Άρθρο σε περιοδικό
Τίτλος:	Probing the birthplace of the "Epirus school" of painting: analytical investigation of the Filanthropinon monastery murals—Part I: pigments
Συγγραφέας:	[EL] Μαστροθεόδωρος, Γεώργιος[EN] Mastrotheodoros, Georgios [EL] Φιλιππάκη, Ελένη[EN] Filippaki, Eleni [EL] Μπασιάκος, Γιάννης[EN] Bassiakos, Yiannis [EL] Μπέλτσιος, Κωνσταντίνος[EN] Beltsios, Konstantinos [EL] Παπαδοπούλου, Βαρβάρα[EN] Papadopoulou, Varvara
Ημερομηνία:	22/10/2018
Περίληψη:	The Filanthropinon monastery church is regarded the birthplace of the BEpirus/NW Greece School^ of painting as it bears the oldest wall paintings of this very school. Surviving inscriptions bear no painter name(s), yet they testify that the murals were executed in three phases between 1531/2 and 1560. The bulk of the technical and typological characteristics of the latter paintings are typical of post-Byzantine religious art, whileOM, SEM-EDX, and micro-Raman probing reveals the existence of a number of idiomorphic characteristics that might be viewed as part of the microscopic fingerprint of the "Epirus school". A microscopic fingerprint of the school is important because current attributions of relevant works to specific painters are mostly stylistic ones, as pertinent signatures are rare. The latter characteristics include the application of a Bcharcoal plus blue smalt^ substrate in the paintings’ background and the employment of a possibly local (: Epirus), unusual ochre pigment. Sophisticated segregation of pigment grains, employment of glauconite, and the extensive use of San Giovanni white were also documented. Analytical data support the following scheme as regards artistic identities: the 1531/2 nave paintings were executed by a single painter, possibly assisted by a pupil who also contributed to the 1542 paintings. The paintings of the 1542 and 1560 phases are apparently the outcome of another—yet related to the nave painter—workshop; there are clues which indicate employment of Georgios and Frangos Kontaris in both of these commissions. Finally, remnants of four different overpaintings were also revealed: pertinent pigments indicate successive interventions during an extended period of time, which reflect the will of Filanthropinon votaries to retain the murals vivid.
Γλώσσα:	Αγγλικά
Σελίδες:	16
DOI:	10.1007/s12520-018-0732-5
ISSN:	1866-9557
Θεματική κατηγορία:	[EL] Συντήρηση και Προστασία αρχαιοτήτων & έργων τέχνης[EN] Conservation
Λέξεις-κλειδιά:	Wall painting; . Post-byzantine; Pigment; .OM; SEM-EDX; Kontaris
Κάτοχος πνευματικών δικαιωμάτων:	2018, Springer-Verlag GmbH Germany, part of Springer Nature
Ηλεκτρονική διεύθυνση του τεκμηρίου στον εκδότη:	https://link.springer.com/article/10.1007%2Fs12520-018-0732-5
Ηλεκτρονική διεύθυνση περιοδικού:	https://www.springer.com/journal/12520
Τίτλος πηγής δημοσίευσης:	Archaeological and Anthropological Sciences
Τεύχος:	6
Τόμος:	11
Σελίδες τεκμηρίου (στην πηγή):	2821–2836
Σημειώσεις:	This research has been integrated through an Greek State Scholarships Foundation (IKY) scholarship program and co-financed by the European Union (European Social Fund-ESF) and Greek national funds through the action entitled “Reinforcement of Postdoctoral Researchers,” in the framework of the Operational Program “Human Resources Development Program, Education and Lifelong Learning” of the National Strategic Reference Framework (NSRF) 2014-2020 (grant number: 2016-050-0503-7689).
Εμφανίζεται στις συλλογές:	Μεταδιδακτορικοί ερευνητές