1. Αποθετήριο Παραδοτέων Υποτρόφων Δράσεων ΕΣΠΑ Τριτοβάθμιας Εκπαίδευσης 2017-2023
2. Όλο το Αποθετήριο
3. Ερευνητικές ομάδες

Τύπος:	Ανακοίνωση σε συνέδριο
Τίτλος:	Imaginings of antiquity and ancient tragedy performances in Greece (1975-1995): from the fall of the Junta to the European integration to the new Balkans:between ideology and style
Συγγραφέας:	[EL] Καλτσούνας, Ευθύμιος[EN] Kaltsounas, Efthymios [EL] Μηνιώτη, Ναταλία[EN] Minioti, Natalie [EL] Καραόγλου, Αντωνία[EN] Karaoglou, Antonia [EL] Παπάζογλου, Ελένη[EN] Papazoglou, Eleni
Ημερομηνία:	25/05/2019
Περίληψη:	After the junta, Greece faced consecutive challenges: the change of regime and the return of Democracy, the entrance to the ECU/EU, its position in the ‘new’ Balkans – challenges that provoked recurring negotiations of a diachronic ‘Greekness’ (hellenikotita), as the Greek cultural identity oscillated between West and East, between integration and particularity. During the same period, ancient drama productions proliferate as open-air theatres, summer festivals and touring companies (state/municipal, subsidized, commercial) multiply, putting an end to the ‘hegemony’ of the National Theatre. Performances now address popular audiences, and the performative codes split between classicism, folklore, modernism and even post-modernism, reflecting broader cultural developments: – The ‘tradition’ of the National Theatre appears exhausted, at least to the more elitist spectators. Yet attempts to break new ground meet with steadfast resistance. – An outdated classicism, however, is now disseminated to and applauded by wide sections of the public. Such a classicist imagining of Antiquity is further cultivated in Education, achieving the status of a cultural dogma. – At the same time, the idea of a more ‘genuine’, ‘mystic’ and ‘eastern’ diachronic hellenikotita finds its way into ‘alternative’ productions of tragedy, which adopt performative codes based on byzantine and folk culture. Such productions are greeted as ‘legitimately’ innovative. – Finally, the solidification of the country’s European profile provokes also ‘cosmopolitan’ performative approaches, which cause uproar.
Γλώσσα:	Αγγλικά
Τόπος δημοσίευσης:	Πράγα, Τσεχία
Σελίδες:	8
Θεματική κατηγορία:	[EL] Ανθρωπιστικές Επιστήμες και Τέχνες[EN] Humanities and the Arts
Λέξεις-κλειδιά:	ancient drama; theatre history; theatre reviews
Κάτοχος πνευματικών δικαιωμάτων:	© by the author(s)
Διατίθεται ανοιχτά στην τοποθεσία:	https://networkconference2019.org/abstracts/
Ηλεκτρονική διεύθυνση του τεκμηρίου στον εκδότη:	https://networkconference2019.org/abstracts/
Τίτλος πηγής δημοσίευσης:	Network Conference 2019: From Antiquity to Modernity Abstracts
Όνομα εκδήλωσης:	From Antiquity to Modernity: Performing Greek and Roman Drama in Modern Europe
Τοποθεσία εκδήλωσης:	Praha, Czech Republic
Ημ/νία έναρξης εκδήλωσης:	22/05/2019
Ημ/νία λήξης εκδήλωσης:	26/05/2019
Σημειώσεις:	This research is carried out in the context of the project “Imaginings of Antiquity and Ancient Tragedy Performances in Greece (1975-1995): From the Fall of the Junta to the European Integration to the New Balkans” under the call for proposals “Supporting researchers with emphasis on new researchers” (EDULLL 34). The project is co-financed by Greece and the European Union (European Social FundESF) by the Operational Programme Human Resources Development, Education and Lifelong Learning 2014-2020 Conference site: https://networkconference2019.org/
Εμφανίζεται στις συλλογές:	Ερευνητικές ομάδες